Free-to-air

Amanda Williams’ (b. 1975) analogue photo-based practice has included mural-scaled silver gelatin hand prints documenting alpine landscapes of high conservation value as well as extensive work with cameraless techniques that expands upon footnotes to the history of photography. When Williams turns to colour, it is not as representation of the world around her but a document of change, the interaction between elements that make up that world. Williams recently completed a major commission for the Powerhouse Sydney for its new Castle Hill archive built on the site of a former eucalyptus plantation. Her two photographs in Free-to-air come from the...